A comparative essay dealing with two articles covering different aspects of Victorian Crime: the jury system and treatment of juvenile delinquents.
Quinault, Roland. “Victorian Juries.” History Today 59, no. 5 (May 2009): 47-53.
Shore, Heather. “The Idea of Juvenile Crime in 19th Century England.” History Today 50, no. 6 (June 2000): 21-27.
During the nineteenth century, it was not crime that changed in England, but the way that crime was viewed. With the expansion of the middle class and the subsequent ability of the public to care about people beyond their immediate family, the idea of civic responsibility spread and attitudes towards perpetrators and members of the judicial system, both public and official, shifted. As a result of these changes, legislature became more specific and laws not only more plentiful, but more practical and effective. Heather Shore discusses the role of juvenile delinquency in this time of shifting opinion and legislature, making the point that it was not, as many believe, juvenile offenders who changed in Victorian era England nor their treatment, but the legislature and the nomenclature surrounding them. Similarly, juries were affected by the Victorian specificity of legislature, though, according to Roland Quinault, with significantly little benefit gained from the changes, in contrast to the situation of juvenile delinquents. Both the changes to jury laws and legislature governing the treatment of offenders occurred with the same aim—greater specificity, control, and usefulness, though with different degrees of effect.
Prior to the nineteenth century, juvenile offenders in England were treated much the same as any other offender: there were no laws for the specific governance of youth or youth punishment, there was no limit on the severity of punishment nor on the cause for punishment. Juvenile delinquents were scarcely even recognized as a separate issue. However, in the nineteenth century, amidst a wave of social reform, the increasing number of juvenile offenders was noted and studied. In her article, Shore sites as one of the results of these studies the discovery that the rise in juvenile delinquency was due, at least inpart, to the “existing system of prison discipline” (Shore, 5)—a circumstance that obviously necessitated change.
This, however, was not the only cause for reform in the juvenile justice system. At the time in Europe, a change was taking place in the way that children were viewed; in a trend that was becoming more pronounced, they were treated less as miniature adults and more as the children that they were, creating the beginning of the attitude held towards minors today. This shift in view was due, in part, to the more modern mentality of the Victorians, but also to their increased interest in the new science of psychology, in public affairs, and in humanitarianism that rose up in the nineteenth century. This shift in view was reflected particularly well in the criminal justice system of the time where laws were created to treat solely with convicted children, indicating this separation and illustrating the increased specificity of legislation in Victorian England. Such laws included the eradication of the death penalty for children under the age of fourteen, the institution of summary trials for children under fourteen (an age which was eventually increased to sixteen), the founding of reformatory and industrial schools, the adaption of certain of the hulks for the holding of juvenile offenders only, the eventual elimination of the death penalty for offenders under the age of sixteen, the requirement for prisons to have specific juvenile institutions, and even special prisons created exclusively for juvenile delinquents. These changes were only brought about by the shift in the political climate of nineteenth century England, not by any change in the behavior of juvenile delinquents. Shore stresses this point in her article, maintaining that the only thing that changed about the perpetrators themselves was their numbers, which steadily increased beginning in the 1810’s. It was due to this rise that juvenile crime was brought into the public eye and made the subject of fierce debate, causing old policies to be questioned and done away with in favor of newer, and for the most part, more practical and effective ones.
Most legislation implemented in the juvenile justice system during the nineteenth century was surprisingly effective. With the institution of summary trials for children (and informal trials for most girls) court proceedings were sped up considerably, enabling more cases to be treated in a day, an obvious improvement for the judicial system. Also, the establishment of special minors-only hulks and prisons increased the good done by the punishment. Prior to being separated, juvenile offenders were often overlooked and ignored among their adult (and more worrisome) counterparts, while in juvenile centers more attention could be paid to them for correction. In this way, legislation instituted in the juvenile justice system was effective.
It was not only the offenders who were effected by newfound specificity of legislation, however. The English jury system was adjusted throughout the nineteenth century, with laws that were, on the whole, not expressly for specification, but simply for improving the functioning of an age-old institution. The English credit themselves with inventing the judicial system, indeed it is the oldest in the world, and, as Quinault points out, it is a perpetual point of pride for the English as a method of “ensuring justice and civil liberties in England” (Quinault, 47). Quinault, however, believes this pride to have been slightly misplaced, for, though the system was sound in theory, in practice, it lacked many things. It was these shortcomings that were addressed in a series of reform acts in the nineteenth century, though unlike the reform made in juvenile justice systems, reform acts such as the 1825 Jury Act seem to have had little outstanding effect. Indeed, the only major change made in the nineteenth century to the English jury system was the lowering of property requirements for common jurors. Common jurors were chosen from among men aged between 21 and 60 and in possession of a “£10 annual freehold tenure or. . . properties assessed for the poor rate at £20” (Quinault, 49). These qualifications were low enough to allow many more than had been allowed before to serve on juries (men of little education in most cases), but still not open up the job of juryman to any man in the country. This law changed the type of man who sat on a jury and subsequently the verdict, as different backgrounds could lead to different viewpoints on matters. Similarly, the 1835 Tamworth Manifesto of Robert Peel introduced balloting for the selection of jurors, specifically addressing the issue of allegations of jury-packing. This law and the previous one are also an example of the increased specificity of Victorian law, in the same way that those discussed by Shore in the area of juvenile crime were.
Public reaction to changes in these two fields of juries and juvenile crime were very different. In most cases, the new laws governing the treatment of juvenile offenders were well-received, mostly as they appeased humanitarians and social reformers through the separation of children from adults, the abolition of the death penalty for those under sixteen, and the institution of reform schools. These were not the only reasons to be pleased with the reforms, though. According to Shore, there had often been panics regarding crime and juvenile delinquency, which were, of course, part of the cause for alteration. People who were worried about crime and delinquency were, in general, appeased by stricter legislation that came in the mid-nineteenth century. By this legislation, more and more juvenile delinquents were apprehended and punished. Shore includes one such case in her article: that of James Leadbeater, an eleven year old boy who, for stealing celery, was sentenced to four days hard labor in Wandsworth Gaol. Leadbeater’s picture is shown on the sixth page of Shore’s article, the little boy (who really looks a great deal younger than eleven) with a convict’s placard about his neck with an identification number. This, for those people frightened by the increase in juvenile crime, was happy progress. The more that were apprehended and punished under the stricter laws of the nineteenth century, the better.
It would not be true to say that reception for legislative changes to the juvenile justice system were entirely positive, however. Shore emphasizes that sensationalist media of the time (helped along by the characters of great literature, such as Dickens’s The Artful Dodger) created a stereotypic representation of the juvenile pickpocket of whom the public was to be wary. Helped on by such representations, there were those in the public who wished for juvenile delinquents to receive harsher punishment, or at least punishment equal to their adult counterparts. For these people, the legislation created specifically for children was not a strong enough punishment, nor enough of a deterrent. In the same vein, there were those who believed that education was not the solution to juvenile crime for the problem did not stem from a lack of education, so it followed that education should not solve it. These people advocated for less emphasis to be put on reformatory and industrial schools, and more on deterrents such as hard labor. However, overall legislative changes made to the juvenile justice system were, according to Shore, effective and well received.
Contrasting sharply with this is the public reception of changes made in the judicial system. As mentioned above, the judicial system was a point of pride for the English, though merely in ideals and seldom in practice. Quinault makes the statement that, with only a few notable exceptions, juries were, for the most part, a source of ridicule, sometimes of a sympathetic nature. Charles Dickens mocked them in his The Pickwick Papers and they were the subject of many political cartoons of the period, one of which is shown on page 50 of Quinault’s article where the ceremony and traditions of law and the jury are sneered at by the artist. This situation was not improved upon by many of the changes made in the nineteenth century which increasingly put jurymen in awkward or unpleasant situations or even gave cause to ignore them. Among these was a law preventing jurymen from obtaining food, water, or fire until they had reached a verdict, accompanied by practices such as placing jurymen too far away from the proceedings to hear properly and ignoring jurymen and making them wait in an antechamber before they were needed (both of which it would have been beneficial to ban). Jurymen were also often disliked or mocked because of the verdicts they gave. For instance a jury in Aylesbury to acquit a man of murder for the reason that he had been drunk spawned the phrase: “‘If you have done murder and wish to get clear, take care and be tried in Buckinghamshire’” (Quinault, 51).
One very notable exception to this view towards jurymen came in 1833 when, following the death of Constable Culley during a violent police break-up of a union meeting in Clerkenwell, the jury at the coroner’s inquest acquitted his assailant with a verdict of justifiable homicide. Needless to say, this decision was popular with the people and the jurors were honored and presented with a silk banner, shown on page 49 of Quinault’s article. However, such a circumstance was exceedingly rare as Quinault points out, and overall public sentiment towards the jury and changes to laws regarding the jury were not well-received.
Of the legislative changes discussed in these two articles, it is the legislative changes made to the juvenile judicial system that were the most effective and, arguably, the most lasting. Said legislation shaped the system of present-day England and paved the way for the first juvenile court of England, which was opened in 1905, following the upheaval of the judicial system in the nineteenth-century. In contrast, the changes made to the jury system during the nineteenth century were, for the most part, small and mostly inconsequential ones, with little or no impact on the greater functioning of the English judicial system. However, both articles are true in illustrating the common theme of increased specification in legislature during the Victorian period.
All year, my Western Civ teacher has been reminding us about Mystery Day. It’s been on the calendar all year and in the weeks leading up to it she would say at the end of class “Don’t forget Mystery Day’s coming up! I wonder what it could be!” She’d even end emails to us in this fashion: “MYSTERY DAY!!!????!!!!???? NEXT WEEK!!!????!!!”
I got curious about it the day before. And I spent the night before wondering if it would be something really cool and historyish and then trying to figure out what that would be ideally or if it would be totally lame.
The day of, I think I was the only one in the grade who didn’t know. I think my brain refused to make the connection between people walking around with pillows and Mystery Day. Well, it had just never entered my mind that Mystery Day would be anything close to what it was. I kind of thought it would be like the day we got to handle the facsimile of the Canterbury Tales. What I didn’t expect, even up to the second I stepped into the room, was two sewing machines, about 40 yards of the weirdest fabrics on this planet and the next, and a bunch of boys from the period before mine desperately trying to pin St. Patrick’s Day themed fabrics into semblances of boxers.
Um.
What???
Wait, you weren’t kidding? You actually didn’t know?? My friend looks at me incredulously, wondering how on earth I manage to function if I miss things like this.
Well why on earth would I lie about not knowing what Mystery Day was? I really had no clue. I’d thought the pillows people were carrying around were either in celebration of something like “Bring Your Pillow to School Day” that only America would have and I would never know about or something Mr. Weisel’s class had done. I’m not quite sure why I connected pillows with math, but it made sense in my head.
So I come into this chaos of fabric and needles and thread completely unprepared and am stunned (for once) into silence and can do really nothing for the first 20 minutes of the period but try to take in the bandeau the girl behind me is attempting to make out of pink fabric that says “You Go Girl!” and “Rockstar!” and stuff all over it, the tie my friend is trying to make out of billiard-ball printed fabric, the loincloth the boy who fancies himself the coolest guy in the class is manufacturing out of monkey-adorned fake flannel, and my usually above-it-all friend cutting out a pattern for a cat pillow.
I found out later that even my above-it-all and shy boyfriend had made a pillow out of kiddy pirate-ship covered fabric.
Things got slightly more easy to process when my friend abandoned the cat out of apathy and because the sides “didn’t match up.”
But still.
I should have gotten out my phone and snapped some pictures of the chaos so people would actually believe me when I tried to recount it later.
Well, I didn’t quite know what to do. So I started making a stuffed animal, not really caring how it turned out. I don’t have a picture of what I did in civ class, but it was hastily done out of a need to do something.
I didn’t finish in class. I got the body and 2 sides of the head done.
My friend thought it looked like a four-legged octopus and enjoyed sticking her fingers in the legs and grabbing people’s faces. None of my friends could see how it was supposed to be a stuffed animal.
So in order to prove to them I knew what I was doing, I studied less for the chemistry test than I should have and finished it.
This is his head. His ears are different sizes. He has fake pearl buttons for eyes and a pirate ship on the side of his face.
That’s his head before he got stuffed.
This is Mismatch’s body. He has a velvet spine with more fake pearl buttons. Can you visualize the 4-legged octopus now?
I ran out of real stuffing so I used scraps. My friend likes it better. She walked around all the next day just holding him.
This is Mismatch complete. He has a long tail for pulling.
Mismatch is looking at you quizzically.
This is Mismatch’s cousin, Mauvais. Mauvais is 2 years older than Mismatch. Mauvais is a turtle-cat and he has a long tail for pulling too.
And so it was that the sewing frenzy began.
Filed under: History, World War II | Tags: Movie, Pearl Harbor, World War II
I almost wonder whether the directors were trying to make a point when they created the fiasco that was the movie Pearl Harbor (2001). One of the greatest tragedies in American history becomes one of the greatest tragedies of American cinema? And no, I do not mean that the movie is sad, I mean tragedy in it’s first sense: an event causing great distress or destruction such as a serious accident, crime, or natural catastrophe. Yes, Pearl Harbor is a crime against cinema and history, and here’s why:
When the attack began on Pearl Harbor, Doris Miller was not carrying an elegant tea service as in the movie. He was carrying laundry.
The Zeros in the movie aren’t the right model. The ones in the film are A6M5 Zeros which came out later in the war. The ones used at Pearl Harbor were the A6M2′s.
One of the intelligence photos shown to the Japanese preparing for the attack on Pearl Harbor shows a North Carolina class battleship which wasn’t in Pearl Harbor at the time.
Of course the dramatic two-plane resistance piloted by Rafe and Johnny is inaccurate. In reality six planes reached the air and fought the Zeros.
The Zeros on the Japanese aircraft carrier are lined up backwards and the island changes position from shot to shot.
In one wide shot of Pearl Harbor you can see the Arizona Memorial. This is not only a failure of history, but also Hollywood. What kind of self-respecting director let’s that slip by?
A Japanese Naval officer says in the movie “We have hit battleship row. Now we must hit the smaller airfields.” Actually the attack was planned so that all the targets were hit simultaneously. The movie changed this to give Rafe and Danny more time to get to the airfield.
The P-40′s used in the movie were later models than the ones used at Pearl Harbor in ’41.
When the Japanese planes fly over a low hill towards the harbor to bomb it, a cross is visible on the hill. That cross was not there in 1941, but was placed there as a memorial to the point where the enemy planes first came over the hill.
When the Zeros fly through a valley to reach Pearl Harbor, they are actually headed away from the harbor.
The spinning fans on the bombs weren’t the actual fuses, they were meant to arm the fuse so that the bomb would detonate on impact. Therefore the bomb that landed intact on the airfield should’ve blown up, not bounced. It also should’ve suffered some damage in the fall, but it is completely intact.
When the USS Arizona is sinking down sideways, water pours down the deck. This is impossible.
This is definitely very Hollywood: the nurses wear a ton of makeup. However, this was (and still is) against regulation. Medical nurses have only ever been allowed subtle skin tone make up and surgical nurses none. No bright red lipstick, eyeliner, or mascara.
In the very beginning of the movie there are news reels shown dating 1939-1940. In one of them an M-26 Pershing for a couple of seconds, however the M-26 Pershing wasn’t introduced until early 1945.
Also in the scene by the Queen Mary, the Queen Mary wears her customary red and black paint. However, during the war she received a gray coat for “camouflage”. She received that in 1939. The movie takes place in ’41.
And lastly, to give an idea of Japan, there is at one point a shot of three geishas. However geisha communities were shut down in 1939 by the Japanese government.
If I had the time, I would rip the RAF airfield and Operation Doolittle to shreds. Maybe another time.
Filed under: History, Uncategorized, World War II | Tags: Enemy at the Gates, History, Movie, Reflection, World War II
I’m afraid I had more trouble coming up with scenes true to history than ones not, being rather unfortunately bombarded by glaring inaccuracies in Jean-Jacque Annaud’s Enemy at the Gates (2001). First, the bad news: the depiction of the style of fighting by the Red Army at Stalingrad is virtually the opposite of the truth, the sniper duels between Zaitsev and König and the happy ending are pure Hollywood, and the given impression that Khrushchev led the Soviet army at Stalingrad is false, among other smaller and more-debated issues (such as the characters of Danilov and König and, inevitably, the whole Tania situation).
In the very beginning of the film, “zagradotryads” (barrier soldiers) are depicted being forced to face Nazi machine guns, half of them rifleless in a weak imitation of the opening sequence in Saving Private Ryan. The men are herded towards the Nazis by sadistic whistle-blowing, machine gun-wielding Soviet officers in an extremely foolish attempt at stalling the Nazis. None of this ever occurred at Stalingrad, the Soviets would never have wasted so many men in such a pointless fashion. This was purely for cinematic purposes to grab attention at the beginning and pull people in with an excess of blood—something that seemed to work well for Saving Private Ryan.
Snipers do not duel. It’s just a fact. They can’t. Once a sniper shoots, he or she must get away as fast as they can for Shock troops are on the way. Enemy at the Gates portrayed snipers like amateur detectives: stalking each other around and hiding, taking a shot every now and then. Sure, that bit with the mirror was cool, but it was pure Hollywood—completely historically inaccurate.
And a happy ending for the Vasseli/Tania romance? A likely story. In reality, Zaitsev received a letter notifying him of Tania’s death and he never questioned it. He married another woman after the war and had a family. Tania did not know what had become of him until 1969. They never saw each other again. But of course Hollywood couldn’t give the public this, oh no. They cooked up some impractical and improbable letter romance which eventually leads Vasseli to Tania’s hospital bed where she has amazingly recovered. And they lived happily ever after. *Closing music, roll credits*
What happened to Zhukov, Vasilevsky, and Chuikov, the real commanders of the Red Army at Stalingrad? Oh, we’re sorry, they have ceased to exist for the ease of the filmmakers. Instead, Khrushchev runs everything from right there. Of course.
The love triangle. The most inanely Hollywood bit of the story. What is it but Twilight forced on the heros of the war? There is no way that Danilov could ever have met Tania. His contact with Zaitsev was limited and he would never have known of anything between the sniper and Tania. The love triangle could not be for that simplest of reasons.
Onto the rather few and far between accuracies. My favorite one: Khrushchev’s filthy mouth: “The Nazis are beginning to shit their pants!” We know he did talk like this, if not with the cockney accent of Bob Hoskins. Another accuracy: Danilov making Zaitsev (really Zaytsev, but that’s hardly the film’s most egregious error) a national propaganda hero. This did happen, thank goodness. Though whether or not a German Major König was sent to kill him is unknown, though highly doubted.
Note: This was a homework assignment for my WWII history class which I posted for fun.
Filed under: History, Uncategorized, World War II | Tags: Dr. Seuss, Political Cartoons, World War II
Hmm, yes, these Dr. Seuss political cartoons need some explanation, don’t they?
I’m taking a History of WW2 class and needed these (and their links) for my homework but their links failed, so I gave them new ones through my blog.
Enjoy, I guess?
Oh, in case anyone cares they’re about US neutrality and indecision in the beginning of WW2.
Filed under: History, Uncategorized, World War II | Tags: Dr. Seuss, Germany, Political Cartoons, USA, World War II
Filed under: History, Open Prompt, Uncategorized | Tags: Article, Beauty, English, Venus of Willendorf
Not too long ago in my Visual Art: History and Application class, we looked at the Venus of Willendorf, a paleolithic limestone statuette. When presented with the slide, many in my class expressed disgust, confusion, or amusement at the figure that Paleolithic man had worshipped. Our teacher laughed a bit at our antics and then began to talk about beauty and it’s different connotations throughout history. Though we only stayed on the topic for a minute or so, one thing thing that was said struck me: “Beauty is subjective—it all depends on the perspective” (class discussion).
Definition: The definition of beauty from Merriam Webster Online.
Venus of Willendorf: A basic overview of the Venus of Willendorf.
It is true that the Venus of Willendorf does not much resemble the idea that our present culture embraces as the ideal female figure, however to those that created her, she was beautiful. But how could one concept encompass two such seemingly unrelated ideas? Maybe it could if it truly were the ideas that were important and not the forms—what is often called ‘inner beauty’. Inner beauty focuses on what something means or what qualities it has on the inside, rather than the actual physical appearance of a person. Perhaps, across the ages, the word ‘beauty’ only refers to what is inside while another word—something more like attractiveness—could be used to describe what is on the outside. I see beauty and attractiveness as two very different things, though they have come to be used interchangeably. Attractiveness is merely superficial, while beauty is an idea that can stretch across twenty-five millennia.
Ironically, the Venus of Willendorf shares the name of Aphrodite, the Greek goddess of love and beauty. Aphrodite’s version of ‘beauty’ is a much more modern one than that of this Paleolithic goddess, as she is usually depicted as slender, tall, and well-proportioned (by today’s standards). Aphrodite means to us, what this fertility figure must have meant to Paleolithic man, though if switched, neither would last long in the other’s world.
Proposition: Beauty is subjective, it is merely a concept defined by perspective.
Picture Source: http://www.physorg.com/news137336974.html











